Lot 285
Variation on Shesshu's Broken Ink Landscape No.06
CHUANG Che (Taiwanese, 1934)
2002
Acrylic, oil on canvas
173 x 101 cm
Estimate
TWD 1,500,000-2,600,000
HKD 408,000-707,000
USD 52,200-90,400
CNY 334,000-579,000
Sold Price
TWD 2,280,000
HKD 609,626
USD 77,604
CNY 518,182
Signature
Signed lower right Chung Che in Chinese and dated 2002
ILLUSTRATED
Theme: Primal from-An Exhibition Of Chuang Che's Painting, National Museum of History, color illustrated, Taipei, 2005 p.45
CHUANG Che, Asia Art Center, Taipei, 2005, color illustrated,p 106
CHUANG Che Deep Ridge·Remote Way, Asia Art Center, Taipei, 2005, p.132
ILLUSTRATED
Theme: Primal from-An Exhibition Of Chuang Che's Painting, National Museum of History, color illustrated, Taipei, 2005 p.45
CHUANG Che, Asia Art Center, Taipei, 2005, color illustrated,p 106
CHUANG Che Deep Ridge·Remote Way, Asia Art Center, Taipei, 2005, p.132
+ OVERVIEW
Chuang Che was born in 1934 in Beijing, and started his career in America in 1973. He loved and influenced by his father's calligraphies and the paintings in The Palace Museum in Beijing, and he gradually combined traditional Chinese paintings' "painting style" and western paintings, and formed his individual style. The brush stroke from Chinese Calligraphy can be easily discovered in his abstractive paintings, it can be solid or soft, thin or thick, dense or light, dry or wet, he brought back the primitives of calligraphy, and uses it to paint the world.
The brush strokes that went from sides to the middle, with multiple color arrangements, like tides gather in the middle, and become one on the top, like a waterfall that goes out of the picture; Chuang Che's calligraphy brush strokes are wild and can be easily distinguished through his using of colors, it's imposing and volatile, gives viewers a splendid joy; it's a hint of Chinese's hollowness and reality, Ying and Yang concepts, and this poetic, sincere, plain and eastern features are Chuang Che's major styles.
The brush strokes that went from sides to the middle, with multiple color arrangements, like tides gather in the middle, and become one on the top, like a waterfall that goes out of the picture; Chuang Che's calligraphy brush strokes are wild and can be easily distinguished through his using of colors, it's imposing and volatile, gives viewers a splendid joy; it's a hint of Chinese's hollowness and reality, Ying and Yang concepts, and this poetic, sincere, plain and eastern features are Chuang Che's major styles.
Related Info
Modern & Contemporary Art
Ravenel Spring Auction 2022 Taipei
Sunday, June 5, 2022, 2:00pm